That belief sits at the heart of my practice.

Rather than working within a single visual style, I develop collections that begin with an idea, a question or an experience. As each body of work evolves, it finds its own visual language, shaped by the subject rather than by a predetermined formula. Whether exploring the Australian landscape, identity, memory or imagined worlds, my aim is always the same: to create work that rewards repeated viewing and invites personal interpretation.

Before returning to painting full-time, I spent more than two decades leading complex creative projects as an Executive Producer and Managing Director. Those years taught me how to bring ambitious ideas to life through collaboration, creative discipline and thoughtful problem-solving. Today, those same principles underpin my studio practice and the way I approach commissioned work.

I work from my studio in New South Wales, creating original collections and undertaking selected commissions. Whether developing an independent body of work or responding to a specific brief, every project begins with a conversation about the artwork itself; its purpose, its setting and the story it has the potential to become part of.

I believe the most enduring artworks don't simply fill a space: they become part of its identity.